Set in contemp
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
In Germany, 1941, the Nazis pursue a Toymaker who has acquired a mystical book which gives life to inanimate objects.
在两轮(🚻)(lú(💱)n )服役后(🎨)，乔(🦉)在(zài )等(🌆)待(🌎)战后(hò(🔞)u )综(🤶)合(hé )症治疗的过程中正常(cháng )生活(huó )逐渐瓦解(jiě )
某外国城市，来自韩国(guó )的女演员英熙，正因为和(hé )国内一个已婚(hūn )男子的恋(liàn )情而(ér )备受压力，她(🤐)放弃了(le )一(👦)切(qiē )，甘受(🍐)千(🏒)(qiān )夫所(🏊)指(⏭)以此表(🎼)(biǎ(🎳)o )明心迹(👢)。他(🚽)说会去(☝)找(🛑)他，但她并(🔕)不(bú )相信(🔧)(xìn )。在熟识(⏪)(shí )的朋友(🎽)家(jiā )吃过(🍢)(guò(🔜) )饭，她去(♌)了(💇)海边。她(🎤)认(🔣)为(wéi )朋(😖)友(👵)不会(huì(👈) )理(🧟)解这段感情(qíng )，但还是(shì )问道(dào )：“他会像我思念他(tā )一样(yàng )思念我吗(ma )”
中年建築師(shī )遇上人生(shēng )瓶頸，在家被老(lǎo )婆嫌棄，公司小開兔死(sǐ )狗烹。失(shī(🛢) )業的(de )他在(📲)曼谷街頭(🥊)驀(🧜)然回(huí(🐽) )首(🚷)，瞥見大(🐴)象(🐊)(xiàng )Pop Aye，憶起(🏺)歡(🦕)快的(de )童(🕴)年(🍠)時光(guāng )，毅(🚊)然買下大(🎼)象，卻發現(😻)(xiàn )都市(shì(🛏) )生活容不(🚞)(bú(🐿) )下他倆(🛺)，打(🐾)算(suàn )和(🍎)老(🏟)象一路(🥪)向(🚖)北返鄉(🌝)。這(🎄)(zhè )趟人與象(xiàng )的公路之旅，途中狀況(kuàng )不斷(duàn )，所幸萬能的象鼻領(lǐng )著他(tā )倆，與沿(yán )路風景相伴。《爸媽不(bú )在家》導演陳哲(zhé )藝監製，阿比查邦御用(yò(⛱)ng )剪接操刀(⏩)(dāo )，看(kàn )擅(🐀)長(🦗)冷幽默(🚓)的(😆)才女導(🚞)(dǎ(🌷)o )演陳(ché(🔭)n )敬(🤨)音，用(yò(🎇)ng )象(💎)鼻對抗中(🏂)年(nián )危機(🎍)！將(jiāng )泰國(🆑)鄉下的荒(👤)涼風景，轉(🗺)(zhuǎn )變成(ché(🔊)ng )一(🏄)首洋溢(🕉)(yì(🗳) )著淡淡(🤐)霓(👗)虹光(guā(👟)ng )芒(😁)的自我蛻變之歌。
明朝(cháo )嘉靖年间(jiān )，倭患不止。朝廷惊闻(wén )有民(mín )间组织和朝廷官员里(lǐ )通倭(wō )寇，渔利(lì )国家，于是责(zé )令六扇门(mén )负责侦查并找(🙂)出(chū )官员(🆚)通倭(wō )证(🖇)据。六扇门(⏮)(mé(🚅)n )小捕快(😩)陆(🤭)(lù )小虾(⏳)(xiā(👮) )临危受(🤙)命(🌖)，同时被六(🍑)扇门(mén )总(🚎)捕头于(yú(🕖) )初心派人(🤤)追杀(shā )，危(🥔)难之(zhī )际(💾)被(🐎)“山河兵(📨)团(🔃)”的七爷(🏀)(yé(💼) )所救(jiù(🌜) )并(🐖)带回兵(bīng )团之中。
中年(nián )建築師遇(yù )上人生瓶頸，在(zài )家被老婆(pó )嫌棄，公司小(xiǎo )開兔死狗(gǒu )烹。失業的他在曼谷街頭(tóu )驀然(rán )回首，瞥(piē )見大象Pop Aye，憶起(qǐ )歡快的(✨)童(tóng )年時(🏣)光，毅然買(🏹)(mǎ(⏬)i )下大象(🤑)，卻(🕣)發現都(🍨)市(🤪)生(shēng )活(🚋)容(☔)不下(xià )他(🙍)倆(liǎng )，打算(🚍)和老象一(🕰)路向北返(🍖)(fǎn )鄉。這趟(⚾)(tàng )人與象(🍖)的(⏸)公路(lù(🏭) )之(🛑)旅，途(tú(🧙) )中(🌂)狀況不(😽)斷(🚘)，所幸萬能的(de )象鼻(bí )領著他倆(liǎng )，與沿路風景(jǐng )相伴。《爸媽不在家》導(dǎo )演陳哲藝(yì )監製，阿比查(chá )邦御用剪(jiǎn )接操(cāo )刀，看擅長冷幽默的(de )才女(nǚ )導演陳敬(jìng )音，用(🈴)象鼻對(duì(🍐) )抗中年危(🚧)(wē(🍮)i )機！將泰(🐛)國(💛)鄉下(xià(🥇) )的(💉)荒涼風(🚄)(fē(🧑)ng )景，轉變成(🎶)一(yī )首洋(⛴)溢著(zhe )淡淡(🐦)(dàn )霓虹光(💅)芒的自我(👲)蛻變之歌(🕴)(gē(🧙) )。
A tragic car accident puts a woman in a two year coma. She wakes up to find her fiance' is dead and her friends have abandoned her. So she calls on an evil spirit to raise her fiance' from the dead and exact revenge. But revenge always comes with a price.
详情
